

Jenna’s new work, ‘The Weather Pattern’ series is a product of the ‘Gray Tones,’ where control of color and form are still shown with strict, hand painted lines of enamel; organized according to her particular rules for painting. The new element is Jenna’s decision to allow chance, expressionism, and the physicality of the paint to enter her work. She takes on almost every painterly tool available, acrylic, enamel, encaustic, glitter, gravity, heat, and oil paint – for elements of texture and expression - with explosive effect. Her new choice is a big movement away from her earlier study of control, although control remains strongly present in her compositions, use of variegated shades of gray, and collage. Her latest two works in the series, ‘Paleomagnetism’ and ‘Wet Spell,’ are almost wholly expressionistic, showing practically none of her previous control, and her work seems to become purely ruled by chance. Our discussion impressed me with Jenna’s ideas of chance, expression and the physicality of paint, their importance to her in relation to her current work, and how she visually manifests them. While the direction may be founded on modern ideas, as employed by Pollock and Gilhooly, the work is purely Jenna North’s, contemporary and compelling.
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