
I've been working on what to write about David Ruth for more than four days now. Why? I guess it's because I want to honor his work, because I consider him a friend, and lastly because there is so much to say...!
American art history enjoys several modern art movements: the New York school, Abstract Expressionism, Funk Art, Lowbrow Art, to name a few. David Ruth is a member of an elite group of American glass sculptors who do not yet have a name, but should probably have a name for the collective of their fantastical work in glass sculpture. These artists, like David, create artworks constantly tested by artistic integrity, time, and mastery of technical process. What's the big deal? It's a gazillion things like resistance by the cultured elite to accept glass as a fine art medium (we've addressed that a little in an earlier blog about Chihuly at the de Young), that the art glass industry is a million dollar industry spawning giants in education, manufacturing (at a recent convention for the Glass Art Society, the whole city of Portland turned out en masse to show the love...), philanthropy, publishing, and let's face it, the eye-candy factor of bright shiny things in public places is tough to miss. The big deal is the money factor - working in glass is damned expensive - at SOFA Chicago last year, one of David's colleagues said, "It's like crack cocaine..."

This is a very exciting time for the glass aficionado - we're in the middle of a new American movement in art history where exclusive focus for the first time is glass and its sculptural quality. This is an exciting time for contemporary art.
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